Live, Concert, Awards & Specials Audio Post-Production

An event program is assembled from very different sources: host and presenter microphones, interviews, performance feeds, playback, audience mics and production elements such as packages, stings and walk-on music.

Each one arrives with its own level, tone and room. The mix reconciles them so the show moves from a monologue to a performance to an audience reaction without the audience noticing the seams — while keeping the sense that something is happening in a real room.

The production's delivery specification determines the format. Stereo covers most broadcast, streaming and digital delivery, and a 5.1 mix is prepared where the specification calls for it.

Speech comes first: hosts, presenters, acceptance moments and interviews all have to be understood, including where they were captured over applause.

Performance material needs enough level and weight to have impact, and audience response supplies the scale of the room. These three are balanced against one another so music has force, speech stays intelligible and the crowd supports the moment instead of burying it.

MMS mixes after the event has been recorded. We work from the supplied multitrack, stems or production feeds and deliver a finished program mix.

We do not provide front-of-house or monitor sound, broadcast trucks, on-location recording or live event crew. If you need the show captured, that is arranged by your production team; we take it from the recording.

Event programming usually has an air date that will not move. An organized turnover and a clear notes schedule are what keep that date safe.

You communicate directly with the mixer, review the first pass and send consolidated, time-coded notes. Revisions and final delivery are planned against your deadline from the start.