About
Meet the Audio Post-Production Mixers Behind Mix My Spot
Mix My Spot is a Los Angeles audio post-production studio led by experienced re-recording mixers John Frost and Patrick Bird. Every project is mixed personally by one of us—without junior staff, unnecessary handoffs, or layers of account management.
Our approach is simple: accomplished entertainment mixers work directly with the producers, directors, editors, and creative teams who hire them. We provide audio post services from our Studio City studio at 4240 Satsuma Ave, Studio City, CA 91602, and through a streamlined remote workflow for clients nationwide.
John Frost — Re-Recording Mixer
Trailers · Promos · Commercials · Game Marketing · Features
John has more than two decades of experience mixing sound for picture. His career has focused largely on entertainment marketing, including theatrical and streaming trailers, network promo campaigns, national commercials, game trailers, and cinematics. His work also includes feature films, documentaries, and episodic content.
Specialties: Audio post mixing for short-form campaign assets where impact and dialogue intelligibility must coexist within strict loudness specifications; dialogue cleanup and consistency across mismatched sources; stereo, 5.1, 7.1, and Immersive deliverables; and supplemental sound design when a cut needs more than the original turnover provides.
Selected credits: John’s work includes campaign materials for Fall Guys, Assassin’s Creed Shadows, Road House, Fallout, and the FX Oscar Movie Marathon, along with commercials for Xbox and SanDisk and numerous network and studio campaigns. His complete credit history is available on IMDb.
Working philosophy: A great mix should keep the audience inside the story. Even technically impressive sound can work against the picture if it calls unnecessary attention to itself. The goal is always to make every moment—and the picture as a whole—land.
Patrick Bird — Re-Recording Mixer
Broadcast · Promos · Series · Branded Content
Patrick is a post-production mixer and sound editor whose work spans network and cable promo packages, episodic and branded content, documentary material and commercial spots. He is the steady hand on projects with a lot of moving parts — multiple cut lengths, multiple platforms and a delivery calendar that doesn't move.
Specialties: broadcast loudness compliance and multi-version deliverables, dialogue editorial and cleanup, music and effects balance for long-form playback, and surround delivery.
Working philosophy: consistency is a feature. A mix that holds up from the first minute to the last, across every version and every platform, is what actually gets a producer through delivery without surprises.
Format Experience
Between us the work covers theatrical and streaming trailers, TV and digital promos, national and regional commercials, branded and social content, game trailers and pre-rendered cinematics, episodic series, documentaries, features, radio and presentation material — delivered in stereo, 5.1, 7.1 and Immersive, to broadcast, theatrical, streaming and platform-specific loudness specifications.
Who We've Worked With
Work has reached Netflix, Ubisoft, Sony, Microsoft, Nintendo, Disney, HBO, Amazon, Discovery, DC, CNN, CBS, BET, A&E, ABC, YouTube, TNT, TLC, Nat Geo, History and Epic Games, among others — usually through the trailer houses, agencies and production companies those brands hire.
Work Directly With Your Mixer
Tell us the project type, runtime, mix format and deadline — we'll come back with availability and an estimate.