About
Meet the Post-Production Mixers Behind Mix My Spot
Mix My Spot is the post-production audio mixing practice of John Frost and Patrick Bird. When you hire us, one of us mixes your project personally — there is no roster of junior staff and no handoff. That's the whole model: experienced entertainment mixers, working directly with the producers who hire them, from a room in North Hollywood and remotely with clients nationwide.
John Frost — Re-Recording Mixer
Trailers · Promos · Commercials · Game Marketing · Features
John has spent more than two decades mixing sound for picture, with a career built largely in the entertainment marketing world — theatrical and streaming trailers, network promo campaigns, national commercials and game trailers and cinematics — alongside long-form work on features, documentaries and episodic content.
Specialties: re-recording mixing for short-form campaign assets where impact and intelligibility have to coexist inside a strict loudness spec; dialogue rescue and consistency across mismatched sources; stereo, 5.1, 7.1 and Dolby Atmos delivery; and supplemental sound design when the cut needs more than what's in the turnover.
Selected credits: mix work on campaign material for Fall Guys, Assassin's Creed Shadows, Road House, Fallout, the FX Oscar Movie Marathon promo package, Xbox and SanDisk commercials, and a long list of network and studio campaigns. Full credit history is on IMDb.
Working philosophy: the mix should not pull a viewer out of the moment — not even for a second. A mix that calls attention to itself, however impressive, is a disservice to the story. The job is to make the picture land.
Patrick Bird — Re-Recording Mixer
Broadcast · Promos · Series · Branded Content
Patrick is a post-production mixer and sound editor whose work spans network and cable promo packages, episodic and branded content, documentary material and commercial spots. He is the steady hand on projects with a lot of moving parts — multiple cut lengths, multiple platforms and a delivery calendar that doesn't move.
Specialties: broadcast loudness compliance and multi-version deliverables, dialogue editorial and cleanup, music and effects balance for long-form playback, and surround delivery.
Working philosophy: consistency is a feature. A mix that holds up from the first minute to the last, across every version and every platform, is what actually gets a producer through delivery without surprises.
Format Experience
Between us the work covers theatrical and streaming trailers, TV and digital promos, national and regional commercials, branded and social content, game trailers and pre-rendered cinematics, episodic series, documentaries, features, radio and presentation material — delivered in stereo, 5.1, 7.1 and Dolby Atmos, to broadcast, theatrical, streaming and platform-specific loudness specifications.
Who We've Worked With
Work has reached Netflix, Ubisoft, Sony, Microsoft, Nintendo, Disney, HBO, Amazon, Discovery, DC, CNN, CBS, BET, A&E, ABC, YouTube, TNT, TLC, Nat Geo, History and Epic Games, among others — usually through the trailer houses, agencies and production companies those brands hire.
Work Directly With Your Mixer
Tell us the project type, runtime, mix format and deadline — we'll come back with availability and an estimate.