Spots
Commercial, Promo & Social Media Audio Post-Production
Spots have seconds to land a message. Mix My Spot provides audio post-production for commercials, broadcast promos, social-media advertising and digital campaigns from our Studio City studio in Los Angeles — for agencies, brands, networks and production companies that need polished sound on a real schedule.
The message comes first. Dialogue and voice-over stay clear while music, effects and sound design supply the energy, emotion and production value the campaign requires.
Selected Spots Work
Short Runtimes, Clear Messages
A thirty-second spot has no room for a confusing moment. Dialogue and voice-over must be intelligible from the first word, music has to support the message without covering it, and effects need to add polish and impact without cluttering the mix.
We mix around the brand message — including sonic branding elements and required legal lines — so every second of the runtime is working.
Projects We Mix
- Commercials
- Broadcast promos
- Social-media advertising
- Digital campaigns
- Short-form branded content
Where Spots Play
A single campaign often ships to several destinations at once, each with its own loudness and delivery rules. We prepare mixes for:
- Broadcast television
- Radio
- Streaming
- Connected television
- Online video
- Social media
- Digital advertising
What a Spot Mix Requires
Beyond the final balance, a spot mix commonly includes dialogue editing and cleanup so voice-over and production dialogue sit consistently, music editing and preparation so the track hits the cut's beats, and sound-effects editing with supplemental sound design where the picture needs support.
Every mix is prepared to the required loudness specification and checked on small speakers as well as the studio monitors, because most of the audience will hear it on a phone, a laptop or a television across the room.
Formats and Delivery
Stereo 2.0 is the principal format for broadcast and digital campaigns. Mono-compatible delivery is prepared when required, and platform- or network-specific versions are conformed from the approved mix. Other formats are discussed only when a placement genuinely requires them.
Masters, Stems and Versions
Campaigns rarely end at one master. Depending on the agreed scope, deliverables can include multiple runtimes, tags and calls to action, dialogue, music and effects stems, and print masters for each destination. The exact package is confirmed before mixing begins, so nothing is missed at delivery.
A Simple Workflow
Send the current or locked picture, the audio turnover and the delivery requirements. We review the materials, confirm the scope and prepare the first mix. You review it and send consolidated, time-coded notes; we complete the agreed revisions and deliver the approved masters.
You work directly with the mixer handling your project from start to finish — no handoffs, no account layers.
“John you are a funkin rockstar! Under the deadline cosh you were super cool, super calm, and delivered such a high level of design and mix on the first pass that that was all we needed to do! Client sign off on 1st try. You rock fella, thank you, thank you! ; )”