Post-Production Audio Mixing Services

Re-recording and post mixing balances dialogue, music, sound effects, and atmospheres into a single, cohesive soundtrack. This service is for producers, editors, agencies, and post supervisors who have a locked picture cut and need a professional mix that meets broadcast, theatrical, or platform-specific delivery standards.

You receive a fully mixed master plus stems and supporting deliverables, ready for broadcast, streaming, theatrical, or social distribution. We solve problems like uneven dialogue, masking between music and effects, inconsistent loudness, and poor clarity on small speakers or headphones.

Supported formats include stereo, 5.1 and 7.1 surround, and Dolby Atmos. The workflow starts with a clean turnover — AAF or OMF with embedded WAV files and a reference video — followed by a first pass, your review notes, revisions, and final delivery.

Trailer and promo mixing is built for entertainment marketing teams, trailer houses, and networks that need a cinematic, high-impact soundtrack in under three minutes. This service is for campaigns competing for attention in theaters, streaming libraries, and social feeds.

You receive a mix that carries the dramatic arc: dialogue cutting through dense music beds, effects hitting with weight and precision, and a clear build toward the final branding moment. A trailer that sounds small or muddy will not sell the scale of the project behind it.

We work in stereo, 5.1, and 7.1, and can create Atmos or near-field versions for premium theatrical and digital placements. To begin, send your picture-locked cut, guide audio, and music or voiceover assets.

Commercial and branded-content mixing is for agencies, brands, and production companies that need broadcast-ready sound for spots, social campaigns, and branded documentary or explainer content. This work is judged on every device from cinema screens to phone speakers.

You receive a mix that balances voiceover, dialogue, music, and effects while meeting network loudness and technical specifications. We solve problems such as dialogue intelligibility in noisy environments, music that overwhelms the message, and inconsistent levels across multiple versions of the same spot.

Deliverables include stereo broadcast mixes, 5.1 theatrical versions, and split-stem M&E tracks for international versioning. The workflow is designed for tight deadlines: turnover in the morning, a first pass in the afternoon, and revisions the next day. To begin, share the locked cut, approved script, and brand audio guidelines.

Television and episodic mixing is for showrunners, post supervisors, and networks delivering series, specials, and long-form television content. This service is for productions that need consistent, episode-to-episode sound quality under real broadcast schedules.

You receive dialogue-forward mixes with clean effects, balanced music, and stable loudness across every episode. This solves the common problem of an episode that sounds different from the rest of the season, or a mix that falls apart on television speakers and soundbars.

We deliver stereo and 5.1 surround formats, with stems and M&E tracks for international distribution and platform compliance. The workflow scales from a single episode to an entire season. To begin, send the series turnover specs and a reference episode.

Film and documentary mixing is for independent filmmakers, documentarians, and production teams that need a full theatrical or streaming-ready soundtrack. This service is for projects where the emotional weight of the story depends on subtle, transparent sound work.

You receive a finished mix that preserves natural dialogue, supports the musical score, and places effects and environments in service of the story. We solve problems such as inconsistent location audio, distracting background noise, music that competes with narration, and scenes that need a quiet but present sense of space.

Deliverables include stereo, 5.1, 7.1, and Dolby Atmos mixes, plus stems and archival masters for festival, distribution, and streaming platforms. To begin, share the locked picture, guide audio, and music or effects cues.

Format support is at the center of every service we offer. Mix My Spot works in stereo, 5.1 and 7.1 surround, and Dolby Atmos immersive audio, depending on where your project will be seen and heard. This service is for producers and distributors who need one piece of content to work across multiple platforms and speaker configurations.

You receive mixes and stems that are correctly formatted, labeled, and loudness-normalized for each destination. This solves the common problem of a mix that sounds correct in one format but thin, distorted, or unbalanced in another. We also prepare down-mix-compatible versions so a theatrical 7.1 mix still translates cleanly to stereo streaming.

Supported workflows include stereo, 5.1, 7.1, and Dolby Atmos bed and object mixes, delivered as WAV, AAF, or platform-specific stems. To begin, confirm your delivery spec sheet and we will build the mix to match it exactly.

Remote reviews and approvals are for clients who cannot attend an in-person mix session but still need to give precise, actionable feedback. This service is for agencies, producers, and post supervisors working across time zones or with distributed teams.

You receive a secure streaming link or high-quality reference file with the current mix, plus a structured way to leave time-coded notes. This solves the problem of vague feedback that slows revisions and creates confusion between the mixer and the production team.

The workflow is straightforward: we send a first pass, you review and annotate, we revise, and we repeat until approval. We can also set up a live directed session if you need to hear changes in real time. To begin, let us know your preferred review method and any platform requirements.

Masters, stems, and final deliverables are for productions that need more than just a final mix. This service is for distributors, foreign-language versioning teams, and music supervisors who need organized, correctly labeled audio assets for the next stage of the pipeline.

You receive a full deliverables package that typically includes the final mixed master, dialogue/ADR stems, music stems, effects stems, M&E tracks, and any additional versions required by your platform or distributor. This solves the problem of a production team scrambling to create separate assets after the mix is approved.

Supported formats include WAV, AAF, OMF, and platform-specific stem layouts. We label and organize everything so it is ready for the next vendor, QC pass, or broadcast upload. To begin, share your delivery spec sheet alongside the mix turnover.

The mixing process is designed to be clear and efficient from first contact to final delivery. It begins with a brief conversation about your project: the format, deadline, intended platforms, and any creative or technical concerns. From there, we confirm turnover requirements and schedule the first pass.

Step one is the turnover: you send a locked picture with embedded or referenced audio, a reference guide, and any music, voiceover, or effects assets. Step two is the first mix pass, where we balance, shape, and position the sound. Step three is your review with time-coded notes. Step four is revisions, and step five is final delivery of masters, stems, and additional deliverables.

This workflow keeps communication tight, deadlines realistic, and the final mix aligned with what you actually need. To begin, tell us about your project using the link below.

If you have a project ready for post mixing, we can provide a clear estimate based on the format, runtime, number of deliverables, and timeline. Tell us about your project, share the turnover details, and we will respond with a proposal and next steps.